Sources of Inspiration

Photo by Karen Wardle 2011

Oil Painting Methods

Oil painting methods have not really changed much in over 100 years. A quote  from “The Painters Methods and Materials” 1926. 

“In the first place it (oil) changes in refractive index with age.  This begins from the moment the oil paint, painted out in a thin layer has begun to dry.  The dry paint is already not so opaque, not so brilliant, as the paint squeezed out of the tube.  This change goes on slowly but remorselessly through the years, though, of course, at a diminishing rate.  We know that the slow chemical changes which take place in the linseed oil film are not complete after four hundred years,  that the film is still improving in toughness and insolubility. ……..The pigments then are growing deeper in tone and more translucent, and hence it is that we have pentimenti, the under-paintings ultimately showing through.”

This is the beauty of oil paint, that as it ages the colours become more transparent and richer in tone.  The aging process allows light to shine through the layers of colour into the painting in effect blending the layers of colour together.  Even heavy impasto will change over time deepening in tone and developing an oil laden gleam that catches the light and emphasizes the presence of texture in the painting.  This will remain throughout the life of the painting and in fact improve as the painting ages. 

One of my favourite quotes by Ted Godwin in The Studio Handbook for Working Artists: A Survival Manual.

"An acrylic painting will never look as good as the day you finished painting it, however an oil painting will never look as bad as the day you finished painting it.”

Industry, oil on canvas, 2010: Private Collection

Painterly Challenge

Why not paint with acrylics instead of oils?  Acrylics have several advantages.  They are water soluble and there are lots of mediums available that can help make acrylic paint imitate oils.  Moreover there are mediums that can allow an artist to paint with thick heavy impasto with very low risk of cracking as it dries and enables an artist to paint quickly as acrylics dry very fast.

Oil paint on the other hand can be tricky.  You are required to paint in layers allowing each to dry as you proceed.  The use of underpainting white, thinner, and wingel expedites this process by speeding drying time.  However you are still required to allow for drying time before putting one colour over another or you risk making a muddy mess of your colours.  Just to make it even more challenging as a painting dries oil will rise to the surface making it difficult for the next layer of paints to bind to the surface.  If you use too much oil mixed in with pigment you can lower the tone of the colour or impede the paints ability to bind while not enough oil will do the same.  The ready availability of colours in tubes along with various mediums take much of the guess work out of oil painting but knowing when to stop painting is important to a successful painting

Interrogate Space, Oil on canvas, 2009: Private Collection

The Jar

The things people throw away become part of a microcosm growing and/or decaying, being consumed and consuming. Each piece of detritus is the seed of change an evolutionary chink in our planet. The full potential of these plantings has yet to be realized. There is a cosmology of destruction and growth contained within an environment encapsulated. The glass jar will never decompose but the metal lid slowly oxidizes rusting away as chunks fall into and around. Once the air penetrates the semi-opaque contents are warmed by the sun slowly turning the jelly yellow-brown, releasing the unctuous aroma of petroleum within. In 50 years the soft pvc lining on the underside of the lid begins to decay perhaps cracking becoming brittle, taking over 450 years to breakdown. The glass jar may at some point be crushed melding container and contents with the mulch of rotted wood, leaves and dirt. Various bugs, seeds, plantlife unfortunate enough to fall into the jar become encased in the petroleum become part of the soup of jelly crushed glass, plastic and mulch.

The Best View

The best view can come from visiting the past or in this case sites laden with the past.  Seeing something old like this can give a fresh perspective.  What we leave behind becomes embedded in the landscape.  It becomes part of the landscape around us.

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